Sculpture in the interior plays a big role. Not so long ago it was a means of expressing the ideas of antiquity, classicism, and the romance style. Today the sculptural compositions are laconically fit into any stylistic concept. Each accessory is an author’s work, an unexpected solution, the final touch, which puts an end to the realization of the designer’s intention. But use it must be extremely cautious, and all because such a bright element of the decor immediately attracts attention. Therefore, often the interior itself is lost behind an artfully executed statue, bas-relief or sculptural group. To avoid this, you need to be able to distinguish and understand where and what you can use, choosing for the decoration of an apartment author’s decor tools.

Kinetic sculpture always captures the views of observers. Dozens of elements that form complex living forms in the air – the beauty and coherence of their actions are fascinating.
A voluminous installation will give a new unique look to any space: from concert halls and art-grounds to exhibition pavilions. Bright highlighting of details and the possibility of sound accompaniment will make it a constant center of attention.

Interactive sculptures can react to the presence of spectators, making them participants in the action. When emotions from what they see are related to personal experience, impressions persist in memory for a long time.
Kinetic sculpture, specially developed for the exhibition, will need space: it needs a ceiling of a suitable area. The components of the installation are fixed on it with special cables, the length of which is regulated by a compact, fast motor.

The color and intensity of the glow of each of them change instantly, drawing in the air a single dynamic picture.
Kinetic sculptures are a rare solution. Therefore, the emotional effect of them is enhanced by the feeling of getting to know something amazing.

Historians of kinetic art cannot always directly answer the question of why it is needed. Most often they resort to the terms of the so-called theory of rhythms. According to this theory, the subconscious of a person lacks any acoustic or dynamic regularities. In other words, the inhabitant of the megalopolis wants some sounds that are not heard in the urban environment or movements that are inaccessible to the human eye.

Since the late 1960s, thousands of people have collected experiments with kinetic miracles.
Kinetic objects are a kind of toy for adults. Mankind is grateful to Calder and Tengli for the fact that they caused and continue to cause inborn adults the innate play impulses, allowed each person to be a little bit of a child. In fact, the master of self-destructive and kinetic art gave city residents what they did not have.

Today, kinetic objects are both toys and healing remedies for those who would like to acquire the second “I” through a journey into the world of new rhythms, into the universe of gaming instincts.

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